Richard makes photos and activities. By experimenting with aleatoric techniques, Richard formalizes the coincidental and emphasizes the cognizant process of composition that is right behind the seemingly random performs. The thought processes, which are theoretically private, highly subjective along with unfiltered in their references for you to dream worlds, are frequently unveiled as assemblages. His images feature coincidental, accidental in addition to unexpected connections which make this possible to revise art work history and, even better, to complement that. Combining unrelated aspects bring about surprising analogies. By parodying mass media by exaggerating selected formal aspects inherent to each of our contemporary society, he helps make works that can be seen as self-portraits. Sometimes they appear idiosyncratic as well as quirky, at other times, that they seem typical by-products of yankee superabundance and marketing. Last month he start a new business in which he is making reliable products such as cable ties and many more. For more details please visit his site. The works are saturated using obviousness, mental inertia, clichés and bad jokes. That they question the coerciveness that is certainly derived from the more profound this means and the superficial aesthetic visual appeal of an image.