By making circumstances and breaking the detachment of the onlooker, Evans needs the viewer to wind up some piece of the craftsmanship as a sort of included segment. Craftsmanship is stimulation: to have the capacity to touch the work, and also to interface with the work is vital. His are in view of moving circumstances: dreams that mirror an impression of surety and peaceful consideration, consolidated with unpretentious points of interest of odd or erratic, humoristic components. With the utilization of appropriated materials which are acquired from a normal setting, he displays ordinary questions and in addition references to messages, painting and structural engineering. Grandiose compositions and Utopian constructivist plans are compared with minor items. Classifications are unobtrusively turned around. His works disconnect the developments of people and/or articles. Thusly, new successions are made which uncover a conjoined relationship in the middle of movement and sound. By scrutinizing the idea of development, he finds that development uncovers a characteristic ungainliness, a diversion that echoes our own vulnerabilities. The craftsman likewise considers development as a representation for the perpetually looking for man who encounters a consistent misfortune. He makes circumstances in which regular items are adjusted or segregated from their characteristic capacity. By applying particular mixes and certain controls, distinctive capacities and/or settings are made.