Iron Man helmet variances are visible in Tony Stark's Love of machinery in addition to always improving his armors. This is precisely why you'll find so many variations of his Iron Man armors, which he refers to as the Mark series (as in Mark One, Two, or 3).
No matter whether we're speaking about the movie or comic book variety, Tony is a problem solver. One example is his enthusiasm in the third movie to getting ready for even the most obscure scenario with the Heavy Lifting suit, which supports a structure near the finish of the motion picture. There will be a similarity in the comics version too, as Tony Stark aims to achieve control of certain of the most powerful heros in Marvel's World, like The Hulk and The Mighty Thor.
Obviously, anything can be accomplished in comic form, seeing as all you need is a possible tale along with a competent art team. This detail is the start of the Iron Man suit that can be summoned in an instant, even from far away. It is a unique case of a fantastically tricky notion from the comic book world working quite nicely on the screen, along in the example of the Mark Five suitcase suit, that we will talk about below.
You could argue that it's about as simple to tell stories on film just as in a comics, in view of the fact that the equipment is commonly used today to take the concept of an Iron Man helmets, suit and even weapons contained in a briefcase and reimagine it as a transforming robot of a kind and simply transform into the Mark Five armor itself.
I find it really fascinating if you consider the level of effort which goes into animating the Iron Man helmet locking in place as with the Mark V armor in the 2nd Iron Man motion picture. Computer animation professionals, engineers plus concept artists all collaborate to create a real comic enthusiasts imagination onto the silver screen.
The major design of the 1st armor focuses on a similar pattern in the comics as with the films. Quickly built "from scraps", to cite Jeff Bridge's Obadiah Stane in the 1st flick, the Iron Man helmet aims on being ugly but functional. It exists basically to defend Stark's cranium and prevent him from taking a bullet to the dome during his escape from detention.
Consequent designs maintain a matching pattern, especially in the film examples of Tony's Iron Man armor. A pair of illuminated eye openings comprise the main hallmark and, to a smaller measure, a mouth area along with a red and gold coloring.
The design sometimes does not include a mouth section, just as in the comic and silver screen editions of the Suborbital suit intended for high altitude/ low orbit.
The red and gold coloring scheme is intriguing to most Iron Man fans. The comic story explains that Stark opted for these colorings in honor of his grade school colors. The big screen explanation is much more sensible with the Iron Man helmets, suit and basic plan being the proper example of usability. When Tony's Mark Two comes close to crashing in the 1st movie because of an accumulation of ice, Tony utilizes a gold colored alloy that is designed to prevent the build up on the Mark III.
While waiting for the suit to be assembled by his lower level manufacturing facility, he advises JARVIS to "throw a little hot rod red in there", alluding to the Mark 3 design.
You can find many more differences than a quick editorial such as ours can talk about, however Iron Man helmet and suit models usually focus on utility 1st and fashion after.