PureVolume

RESTE ET RESSENTIMENT (LE PARADIS)

Cette exposition inaugurant le Manifeste de l'Art Humanitaire plonge aux
origines de la langue pour designer le jardin qui se ferme sur lui-mme : le Paradis se protger ou en exclure les indesirables ? Des lors la question posee, l'horreur guette lintrus. Il lui faut franchir un sas tonitruant, puis un champ de mines conceptuelles, se frotter du barbele... Une plaque tectonique interactive branle l'univers sonore de cette scenographie tout en camouflage ou des valises lumineuses delivrent d'etranges messages...

This inaugural exhibition of the Proclamation of Humanitarian Art, dives directly to the very origins of language, pointing to a garden which is closed in on itself: Paradise. But is the garden closed so as to protect itself or to exclude the unwanted? Once the question has been posed, horror lies in wait for the intruder. He must enter a deafening antechamber, then cross a conceptual minefield, only to rub up against barbed wire... An interactive tectonic plate shatters the soundscape of this camouflaged scenography, where we find illuminated suitcases delivering the strangest of messages.

globensky@noos.fr