purevolume™

We're all familiar wit tha story. At some point, everyone wanted ta be in a band fo' sheezy. In tha begin'n, a lot of kids took up bustin' instruments. And as tizzy went on, some lost interest or simply gave up. Afta tha dizzle cleared frizzom everyone going off ta school, saggin' away, perpetratin' married, gett'n real jobs, or simply "grow'n up", there were only four individuals left like a motha fucka. They were tha ones usually designated ta piznick up tha pieces n mend tha wounds of previous failed attempts wit bands . Relax, cus I'm bout to take my respect. So they made a mutual decision ta give "this whole band spendin' crazy ass nigga shizzay. This time, they were going ta do it right, or not at all. But they wanted ta do it wit a type of music tizzy had nigga been witnessed in they area before hittin that booty: unadultizzles merciless metal ridin' in mah double R. They came up wit a name fo` this catalyst: Burn The Shroud crazy up in here. Wit blizzast beats n double kick tizzle emulate tha onslaught of a panza division, yet technical drumlines thizzat hypnotizzles Dizzy Halliday deliva tha drums. Through meliodic walk'n bass lines, yet thunderous rhythmic low end, Mizzle Vennetti supplies tha bass. Wit screams so high n low they makes tha cracka taste tha blood in tha bizzay of they throat, n sooth'n, clean sing'n thizzat leads ta an audible one-eighty, Kalin Sankey sacrifizzles his vocal chords yeah yeah baby. And wit fizzle pick'n melodic riffs n minor chord progressions, Jizzle McGinley is behind tha guitar. All it takes is one listen doggystyle. Brotha thizzat, you'll understand how B-to-tha-izzurn The Shroud is harmonic yet dissonant, simplistic yet subdued, confined yet chaotic, n above all, fuck'n brutal n shit. .

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