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Learn and Master Guitar - Using a Capo

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Learn and Master Guitar - Using a Capo

It's become fashionable to play music with one particular tuning after which either (a) use another guitar having a different tuning or (b) re tune playing the guitar to play the next song. Once you learn ways to use the capo properly you may not must work with that. You will be able to play all of your songs using standard tuning. how to use a guitar capo

So just why don't more guitarist make use of a capo preventing fiddling around with various tunings? After all you never head into a music store and ask for a piano in drop "D" would you?

The reality with the matter is, most guitarists / teachers are not aware of the numerous applying a capo. Indeed, a lot of guitar teachers frown upon using a capo and consider it as a method of "cheating" - a "shortcut" means of playing without learning the guitar "properly".

After over three decades of guitar playing, recording, arranging and producing ... nothing could be more mistaken!

I have to tell you just how these comments about "cheating" are mainly born of ignorance.

All professional studio guitarists view the need for focusing on how to employ a capo (many guitar sounds we hear every day on the radio utilize a capo). A good working understanding of the capo will allow you to play most songs Without needing to affect the tuning with the guitar.

Now, what are the advantages of using a capo ...

Having the notes of your Chromatic scale is the key to finding out how to make use of a capo.

The chromatic scale is a scale whereby you commence on any note and merely play twelve consecutive notes inside a linear fashion on one string until you get to the note of the same letter name you started on.

The following is an "E" chromatic scale, you might apply this scale with the idea to the first or sixth string from the guitar.

E chromatic scale: E, F, F#/Gb, G, G#/Ab, A, A#/Bb, B, C, C#/Db, D, D#/Eb, E

Now a "G" chromatic scale: G, G#/Ab, A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F, F#/Gb, G

(a) Notice how both scales contain the identical notes simply starting from an alternative note.

(b) Remember there is no sharp or flat between your notes E & F or B & C.

Using the idea of the chromatic scale to the capo.

The first step: select any chord shape you want ... I'll use "D" major for the example

Step 2: using our chromatic scale pick a chord you don't know and have difficulty playing ... let's imagine "F" major. beginners chords and transitioning

Step:3 while using chromatic scale total the length from your chord you like (D major) to the chord you need to play (F major), the distance is three.

D, D#/Eb, E, F.

D to D# or Eb is one.

Remember, there's two possible names for that one note D# may also be named Eb.

D#/Eb to E is 2.

E to F is three.

Which means that when we put our capo about the third fret (the distance between D and F) and played the "D" chord we might be automatically playing the chord of "F" while using very same finger formation both for chords.

Needless to say it isn't practical to move your capo throughout the guitar while you're playing a song, I'm simply using this as an example of ways to change any nasty chord shape you're having difficulty playing right into a chord shape you like.

More examples:

G chord shape with the capo around the 3rd fret creates a Bb chord.

D chord shape with the capo about the 1st fret generates a Eb chord

E chord shape with all the capo about the 2nd fret generates a F# chord

G chord shape with all the capo around the 4th fret produces a B chord

G chord shape with the capo about the 1st fret generates a Ab chord

Try training the name of your favorite chord shape(s) once you position the capo over a particular fret ... it will improve you familiarity with the guitar fretboard as will as give your music theory a good work out.


Posted Mar 04, 2014 at 10:18am